Spiral jetty robert smithson8/29/2023 ![]() ![]() Guggenheim Museum, New York and the Whitney Museum of American Art, New York. His works are held in museum collections around the world including Dia Art Foundation, New York Museum of Modern Art, New York National Gallery of Australia, Canberra National Museum of Modern Art, Tokyo Solomon R. From his landmark earthworks to his quasi-minimalist sculptures, Nonsites, writings, proposals, collages, detailed drawings and radical rethinking of landscape, Smithson's ideas are profoundly urgent for our times. Smithson raised questions about our place in the world, exploring the conceptual and physical boundaries of knowledge. Tacita Deans quest for Robert Smithsons land art, Spiral Jetty, ended in failure, but her epic journey inspired much of her later film work and put her in. In his short and prolific life, Smithson produced paintings, drawings, sculpture, earthworks, architectural schemes, films and video, photographs and slideworks, writings, and all the stops between. His interests moved through travel, cartography, geology, architectural ruins, prehistory, philosophy, science fiction, popular culture, and language. The film was shot by Smithson and his wife. In 1970 during the construction of the jetty, Robert Smithson wrote and directed a 32-minute color film, 'Spiral Jetty'. ![]() He began work on the jetty in April 1970. Smithson is best known for his earthworks Spiral Jetty (1970, Great Salt Lake, Utah), Broken Circle/Spiral Hill (1971, Emmen), and Amarillo Ramp (1973, Amarillo, Texas). Spiral Jetty was the first of his pieces to require the acquisition of land rights and earthmoving equipment. For over fifty years his work, writings, and ideas have influenced artists and thinkers, building the ground from which contemporary art has grown. Robert Smithson (1938-73) was a visionary artist who expanded what art could be and where it could be found. As an artist it is sort of interesting to take on the persona of a geological agent where man actually becomes part of that process rather than overcoming it.” Smithson was committed to working with landscapes scarred by industry, thinking through future uses for exhausted landscapes. Smithson was interested in “landscapes that suggest prehistory. He was fascinated by the constructed landscape of The Netherlands. Smithson described this as “a major piece” and it sparked his interest in working with industry and post-industrial landscape to make art “a necessary part of their reclamation projects.” The geological and industrial history of the Drenthe region drew Smithson to Emmen. At the center is an immovable huge boulder deposited by the ancient glacial movements. A spiraling path leads to the top, from where the quarry and Broken Circle can be seen from above. Spiral Hill rises into a cone-shaped hill beside the lake. Broken Circle is a semi-circular jetty built into the quarry lake, filled with reflecting green water. Commissioned for the 1971 edition of the recurring outdoor exhibition Sonsbeek, it is his only earthwork outside the United States.īroken Circle/Spiral Hill is sited in a former sand-mine, cut into the side of a terminal moraine. Broken Circle/Spiral Hill (1971) is located in Emmen, in the province of Drenthe. ![]()
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